Six stages, no shortcuts

Every design is composed at final print dimensions. Scaling artwork up after the fact is where detail is lost, and on a rigid printed surface that loss is obvious.

Colour is worked to what the printer can physically reproduce, so what leaves the screen is what comes off the bed.

Anything on the surface when the ink lands stays there permanently once it is cured. A fingerprint becomes a defect that cannot be fixed afterwards, only scrapped.

So the last thing that happens before a piece goes on the bed is that it gets wiped down.

White goes down first. It is what allows saturated colour to sit on a metallic surface without going muddy, and it is printed only where the artwork needs it.

Each layer is cured by UV light almost as soon as it lands, so nothing is left to dry, nothing can settle into a wet surface, and there is no colour shift overnight.

For a raised piece the ink is built up in additional layers, so the artwork ends up with physical relief rather than a flat film.

Pieces are checked under angled light, which throws a shadow off any defect too small to see head-on.

Anything that fails is scrapped. It does not become a second and it does not get discounted.

Protective packaging sized to the item, so nothing moves in transit.

We ship with whichever carrier is best for the parcel rather than paying a premium to one of them, so transit time varies by carrier and destination. Tracking reaches you when the parcel is scanned, not when a label is printed.

If it arrives damaged, send photographs and we will put it right. Transit damage is a cost of doing this, not something to push onto the person who bought it.